At least all Tibetan art with perhaps the exception of some folk craftes, is inspired by Buddhism. Wall hangings, paintings, architecture, literature, even dance, all in some way or another attest to the influence of the Indian religion that found its most secure resting place in Tibet.

At the same time, the arts of tibet represent the synthesis of many influence. the buddhist art and architecture of the Pala and Newari Kingdoms of India and Nepal were an imprtant early influences as were the Buddhist cultures of Khotan and Kashmir. Newari influence is clearly visible in the early woodcarvings of the Jokhang and kashmiri influence is particularly strong in the murals of Tsaparang in western Tibet. Chinese influence at Shalu Monastery near Shigatse and in the karma Gadri style prevalent in eastern Kham. A later clearly Tibetan style know as Menri was perfected in the monasteries of Drepung Monastery, Ganden Monastery and Sera Monastery.

Tibetan art is deeply conservative and conventional. Personal expression and innovation are not valued and indeed individual interpretation can actually become an obstacle to art's main purpose which is to represent the path to enlightenment. Artists generally remain anonymous in Tibet. The use of colur in art is decided purely by convention and riged symbolism.